Rovigo, Palazzo Roverella announces exhibitions 2022-2023: Renoir and Robert Capa

The Palazzo Roverella museum in Rovigo has announced its exhibitions for the upcoming season. After the great success of the exhibition on Vasily Kandinsky(here is our review), which closed last June 26, registering 88,850 visitors, a record for the Rovigo venue (it was the most visited exhibition ever at Palazzo Roverella), come the exhibitions on Robert Capa and Pierre-Auguste Renoir. So Palazzo Roverella is again focusing on photography, given the excellent results of last fall’s exhibition on Robert Doisneau (30,348 visitors).

And given the successes, the team does not change: Fondazione Cariparo, promoter together with the Municipality of Rovigo and Accademia dei Concordi of the major exhibitions at Palazzo Roverella, will continue to rely on Silvana Editoriale and the same scientific curators for the organizational part of the two future exhibitions once again: the exhibition on Robert Capa, scheduled from October 8 next year, will be entrusted to Daniel Bauret, the French historian of photography who “signed” Doisneau’s success. On the other hand, it will be Paolo Bolpagni, the curator of the exhibition on Kandinsky, who will curate the exhibition Renoir and Italy, which will connote the Roverella’s ’23.

Also confirmed is the pairing between the Roverella and Palazzo Roncale, another Fondazione Cariparo venue that the institution confirms as the home of exhibitions dedicated to illustrating aspects of Polesine’s extraordinary history. Archived the more than positive performance of Giovanni Miani. The White Lion of the Nile (which welcomed more than 13,000 visitors), the Roncale’s autumn will be reserved for the sporting and social vicissitudes of the red-blue of the oval ball, in an exhibition project conceived by Sergio Campagnolo and curated by Antonio Liviero, Ivan Malfatto and Willy Roversi entitled Rugby. Rovigo city in scrum (October 22, 2022 to February 26, 2023).

“It will probably not be very easy to confirm the numbers, and the critical success, achieved by the most recent exhibition season in Rovigo,” stresses Cariparo Foundation President Gilberto Muraro. “All the more so since these are records marked at a truly complex time. On the positive side, however, there is the positioning of the two exhibition venues in Rovigo among those ’attented’ by the ’people of exhibitions’ in a much wider sphere than the Veneto-Emilia territorial basin. With Kandinsky, but also with Doisneau and even with Miani, we had an audience that chose to reach Rovigo from a dozen Italian regions. And who left Rovigo very satisfied. It is a capital of knowability and prestige that it is up to us to enhance and further expand.”

Rovigo, Palazzo Roverella announces exhibitions 2022-2023: Renoir and Robert Capa

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