Santiago Sierra - Finestre sull'Arte
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"A quick poison and a slow balm." Larte for Santiago Sierra
Santiago Sierra (Madrid, 1966) does not like to talk much about his work; he considers any form of explicitness almost a betrayal ofart. His works are entrusted with the task of revealing his very harsh view of the world and of art itself. ...Read more...
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When art in the Renaissance was also political propaganda: Garofalo's masterpiece
Federico Giannini, Ilaria Baratta - 20/12/2024 -
The Fortress of Ravaldino: Caterina Sforza's fortress symbol of Forli.
Redazione - 17/12/2024 -
When Donatello and Masaccio agreed on the Renaissance revolution in Pisa.
Federico Giannini, Ilaria Baratta - 17/12/2024 -
Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
Claudia Farini - 14/12/2024 -
Giuseppe Gorni, the artist who celebrated the Mantuan countryside, and his museum in Quistello
Redazione - 13/12/2024 -
A new museum in Ravenna dedicated to Lord Byron and the Risorgimento
Redazione - 10/12/2024 -
Discovering Marco Palmezzano and Luca Longhi, masters of the Renaissance in Romagna
Redazione - 09/12/2024 -
History of the Florentine commesso, an ancient technique of high craftsmanship
Jacopo Suggi - 06/12/2024 -
The labyrinth of Lucca Cathedral: a sacred symbol linked to Greek myth
Redazione - 05/12/2024 -
Journey to Vienna among the places of Johann Strauss son, who popularized the waltz
Redazione - 01/12/2024 -
Journey to discover the Malatesta Castles in the heart of Romagna
Redazione - 28/11/2024 -
The Snow Labyrinth of Chamois, a work of Land Art in the most unspoiled Aosta Valley
Redazione - 26/11/2024
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