Annibale Carracci’s *River Landscape with Boatmen* (Bologna, 1560–1609), perhaps the work that generated the most buzz during the 34th edition of the Florence International Antiques Biennale, which runs through October 4 at Palazzo Corsin...
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To mark the 800th anniversary of the death of St. Francis of Assisi, the National Art Gallery of Bologna is dedicating an exhibition to the transformation of the saint’s image in Bolognese painting between the 16th and 17th centuries. From Octo...
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There is no trace of the composed reassurance found in much Renaissance art in the gaunt face of the Penitent Mary Magdalene that once stoodin the hermitage of Santa Maria Maddalena in Cascio, in Garfagnana. In this glazed terracotta sculpture, the s...
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An extraordinary and rare drawing on paper by Perin del Vaga ( Piero di Giovanni Bonaccorsi; Florence, 1501 – Rome, 1547) has resurfaced on the market, brought to the Florence International Antiques Biennale by the Genoa-based gallery Goldfi...
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Two vases made in Florence during the second half of the sixteenth century bring to the forefront one of the most remarkable undertakings of the court of Francesco I de’ Medici: the attempt to produce in Europe the porcelain that had been impor...
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Eight hundred years after the death of St. Francis of Assisi, Arezzo is celebrating its historical and spiritual bond with the patron saint of Italy through a major exhibition dedicated to the evolution of his image in art. Paintings, sculptures, min...
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That there is still so much to discover about the Renaissance —and that what we know is only a tiny fraction of the story—is clearly evident in an enigmatic tondo that the Galleria Brun is presenting this year at the 34th edition of the Florence Inte...
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The British government has temporarily blocked the export from the United Kingdom of Pier Jacopo Alari Bonacolsi’s *Seated Nymph*—known as“the Elder”—offering museums and galleries in the country the opportunity to acquire the sculpture and kee...
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