The works of Giovanni Antonio Bazzi, known as Sodoma, are a captivating collection of eclectic delights and antiquarian touches—especially those of the mature Sodoma, the Sodoma who, wandering the streets of Rome and Tuscany, almost forgot his ancest...
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The *Madonna and Child with Saint John the Evangelist*, acquired earlier this year by the Metropolitan Museum of Art in New York, may not be by Rosso Fiorentino : according to scholars Luigi Agus and Alessandro Nesi, it may in fact be a painting b...
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From October 17, 2026, to January 17, 2027, the Pilotta Monumental Complex in Parma will host the first major monographic exhibition dedicated to Giorgio Gandini del Grano (Parma, 1498 – 1538), one of the most fascinating and, at the same time,...
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The career of Giovanni Antonio Bazzi, better known as Sodoma (Vercelli, 1477 – Siena, 1549) is undoubtedly one of the most fascinating and complex chapters of the High Renaissance, that transitional period between the 15th and 16th centuries, a...
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A painting believed lost for centuries unexpectedly resurfaced on the art market and is now back on public view through an exhibition dedicated to the visual history of Lerici. It is around this extraordinary discovery that The Rediscovered Painting ...
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The large altarpiece of the Madonna del Parto by Jacopo Palma il Giovane (Jacopo Negretti; Venice, 1549 - 1628), now located in the church of San Geremia in Venice, returns to the center of critical and historical attention after a conservation inter...
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After more than eighty years of absence and twelve years spent in judicial custody, Moretto 's Faith (Alessandro Bonvicino; Brescia, c. 1498 - 1554) finally returns to public view. From May 2026 and until 2027 the work will be on display on the secon...
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A chamber exhibition. It comes to be called that, borrowing the lexicon of chamber music: that designed for small ensembles and intimate spaces, more living rooms than concert halls. This is the hallmark of the exhibition Vasari and Rome, curated by ...
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