Carlo Bertelli was convinced that Masolino da Panicale's voice had begun to take on an "already entirely personal" timbre in Empoli's works. The scholar had in mind especially Christ in Pity, the monumental fresco that a then already 40-year-old Tomm...
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"Neo-Giottesque locutions": with this expression, the great art historian Roberto Longhi referred to the figures that appear in the very famous Christ in Pieta by Masolino da Panicale (real name Tommaso di Cristoforo Fini, Panicale, 1383 - Floren...
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