If one were to go by the headlines, it would seem there are no major doubts regarding the authenticity of the *Portrait of a Young Man*, which was presented with some grand ceremony in the halls of the Ducal Palace in Urbino—which are under the juris...
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In Florence , the *Madonna and Child*, a 17th-century painting that—thanks to recent restoration work—has been attributed to the circle of Francesco Curradi (Florence, 1570–1661), is once again on display in the women’s gallery of the museum t...
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The Spanish Ministry of Culture has presented the Museum of Fine Arts in La Coruña—a state-owned institution whose administration has been transferred to the Galician regional government—with a beautiful 16th-century Flemish panel painting dep...
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A sophisticated diagnostic test, normally used in medical research, is now being applied to the world of art to investigate one of Giuseppe Arcimboldo’s most intriguing paintings. The painting in question is *L’Ortolano*(The Gardener), ho...
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Anyone lookingat *The Last Supper* instinctively tends to focus on the central figures of the scene: Christ, the apostles, and the dramatic moment of the announcement of the betrayal. Yet, in the depictions created by14th-century (and Renaissance) Tu...
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After four years of work, Giotto’s *Stories of St. Francis* in the Bardi Chapel of the Basilica of Santa Croce in Florence are once again fully visible. The extensive restoration has made it possible to restore the paintings’ expressive p...
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At the Museum of the Medici Chapels in Florence, conservation and extraordinary maintenance work on the monumental bronze statues of Ferdinando I and Cosimo II de’ Medici, located in the Chapel of the Princes, has been completed. The museum is ...
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What does it mean to organize an exhibition today? And above all, what happens when the exhibition itself becomes the subject of the exhibition? These are the questions that serve as the starting point for *Expositio Mundi*. The Exhibition as Medium,...
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