The author revisits here the article that appeared on January 31, 2022, in this same journal, but has now expanded it with the necessary in-depth analysis. This study of Correggio, in fact, focuses on that great Renaissance artist who embodied th...
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One could almost say that Caravaggio’s*Bacchus* (Michelangelo Merisi; Milan, 1571 – Porto Ercole, 1610), now housed in the Uffizi Gallery, is a 20th-century painting: for more than three centuries, in fact, the painting depicting the Ro...
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An autumn 2026 packed with exhibitions and cultural events awaits visitors to Intesa Sanpaolo’s Gallerie d’Italia. The venues in Milan, Naples, Turin, and Vicenza offer an exhibition program that ranges from the great tradition of Italian...
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It has barely arrived, and already it must leave: Antonello da Messina’s*Ecce Homo*, purchased by the Italian government last February for $14.9 million (approximately 12.6 million euros), and added to the exhibition at the MuNDA —the National ...
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The Rijksmuseum in Amsterdam is expanding its Print Room Collection with an exceptional and rare work: the Van Eeghen Drawing Book, a book of drawings from the early 17th century that has remained in the same family for more than three hundred years....
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From October 21, 2026, through April 4, 2027, the Museo degli Innocenti in Florence will host a monographic exhibition entirely focused on the Florentine period of Artemisia Gentileschi (Rome, 1593 – Naples, after 1564). The exhibition aims to...
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The theft of the two panels by Antonello da Messina from the “Maria Accascina” Regional Museum in Messina—the MuMe—is not merely the removal of two works of great value. It is an incident that directly affects an essential part of Western...
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What do we know so far about the theft of Antonello da Messina’s panels from the “Maria Accascina” Regional Museum (MuMe) in Messina? Four panels were stolen from the museum: the central panel of the San Gregorio Polyptych, depicting the ...
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