Despite her understated elegance and gaze that is in no way winking because instead she is concentrated, pensive, if not sad, on the words written in the sacred book she delicately holds in her hands, the star of the exhibition La Maddalena di Piero ...
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In Trento , a conservation and enhancement program of wooden works promoted by the Diocesan Museum of Trent and launched in 2022 concludes with the restoration of the epitaph table of Prince-Bishop Johannes Hinderbach. A project that involved some of...
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One of the earliest testimonies to the art of Perugino (Pietro Vannucci; Città della Pieve, 1446 - Fontignano, 1523), returns to show itself in a renewed guise thanks to a conservation intervention that has restored legibility and luminosity t...
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There are works before which the gaze slows down, almost without realizing it. Not because of their obvious complexity, nor because of the richness of the details, but because of a more subtle feeling that is difficult to name: something seems to be ...
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The Pietà by Giovanni Bellini (Venice, c. 1430 - 1516) is returning to its native Rimini after winning over international audiences in the United States. In fact, the famous painting housed at the Museo della Città "Luigi Tonini" is ret...
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The National Museum of Medieval and Modern Art in Arezzo was presented with the restoration of Saint Sebastian, a refined glazed terracotta attributed to Andrea della Robbia (Florence, 1435 - 1525) and his workshop, datable to the early 16th century....
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The large altarpiece of the Madonna del Parto by Jacopo Palma il Giovane (Jacopo Negretti; Venice, 1549 - 1628), now located in the church of San Geremia in Venice, returns to the center of critical and historical attention after a conservation inter...
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There was a day in the year when Venice stopped being a city and became a bride. It happened duringAscension Day: forty days after Easter, during the "Feast of the Sensa" ("Sensa" is Ascension in Venetian), the Serenissima donned her richest clothes,...
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