A Madonna of Humility of great interest—and previously unseen—is the one painted by Zanino di Pietro, which the Giorgio Baratti antique gallery is presenting at the 34th edition of the Florence International Antiques Biennale ( the asking price is 19...
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Annibale Carracci’s *River Landscape with Boatmen* (Bologna, 1560–1609), perhaps the work that generated the most buzz during the 34th edition of the Florence International Antiques Biennale, which runs through October 4 at Palazzo Corsin...
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For years, it remained in the storeroomsof the Accademia Nazionale di San Luca, hidden from public view. Now, Bertel Thorvaldsen’s (Copenhagen, 1770–1844) *Venus Victorious* is once again on display in Rome following restoration, though n...
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*Susanna and the Elders* is not simply a painting; it is more of an omen. Artemisia Gentileschi painted it for the first time in 1610, without knowing that shortly thereafter, at just 17 years old, she would be raped. On May 6, 1611, she was, in fact...
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There was a visual contrast of great scenic and narrative impact that greeted anyone who, in the final years of the 17th century, crossed the threshold of the main hall of Villa Rondinelli-Vitelli in Fiesole: Awaiting visitors inside the hilltop resi...
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There is no trace of the composed reassurance found in much Renaissance art in the gaunt face of the Penitent Mary Magdalene that once stoodin the hermitage of Santa Maria Maddalena in Cascio, in Garfagnana. In this glazed terracotta sculpture, the s...
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An extraordinary and rare drawing on paper by Perin del Vaga ( Piero di Giovanni Bonaccorsi; Florence, 1501 – Rome, 1547) has resurfaced on the market, brought to the Florence International Antiques Biennale by the Genoa-based gallery Goldfi...
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The changing of the seasons exists because Hades, the Lord of the Underworld, wanted a woman to love. But what young woman would agree to leave Earth to live in the Underworld forever? The solution was abduction, a recurring plot device in mythologi...
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