Interviews Ancient art Dutch art Five hundred Six hundred
Witches, demons, monsters, and apparitions constitute one of the most distinctive aspects of the visual culture of the Netherlands in the sixteenth and seventeenth centuries—an imagery that art history has often, almost automatically…
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The collection of Lorenzo the Magnificent (Florence, 1449 – 1492) was much more than a collection of paintings and sculptures: among the works and objects preserved in the Medici residence on Via Larga in Florence were gems, cameos…
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In Rome, , Francesco Borromini ’s architectural white — with its warm and cool shades—is once again on display to visitors at Sant’Ivo alla Sapienza, one of the masterpieces of Roman Baroque. Starting Tuesday, October 27, 2026…
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News Focus Ancient art Five hundred Giorgio Vasari Mannerism
A painting by Giorgio Vasari (Arezzo, 1511 – Florence, 1574), which had remained unknown to scholars for decades, is once again drawing attention in the art market and art history circles. It is a *Transport of Christ to the Tomb*…
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Giotto’s restored frescoes were the focus of the visit by President of the Republic Sergio Mattarella, who was welcomed this morning at the Basilica of Santa Croce in Florence by the rector, Father Franco Buonamano, and the president…
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News Focus Ancient art Caravaggio Six hundred
A previously unpublished painting in a private collection abroad has been attributed to Caravaggio: it is believed to be a depiction of Demosthenes, specifically the “toga-clad orator”—that is,the orator whom, according to…
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Exhibition reviews Ancient art Five hundred Mantua Te Palace
Tucked away as it is inside a horizontal display case—the kind used to display books, the kind that usually goes unnoticed—the portrait of Ferrante Imperato at the museum risks being overlooked, of going unseen. This is also because at…
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A new self-portrait by Andrea Appiani (Milan, 1754–1817) has been added to the neoclassical painter’s catalog: The painting, dated to 1810–1811 and characterized by an intense gaze directed straight at the viewer, will be…
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