TheMatteucci Institute in Viareggio and the Enrico Piceni Foundation in Milan have announced the creation of the Boldini-De Nittis-Zandomeneghi Archives, born from a collaboration between the two institutes. The archives will also have offices in Milan and Viareggio and will become an important point of reference for those who want to study the art of the so-called"Italiens de Paris": precisely, Giovanni Boldini (Ferrara, 1842 - Paris, 1931), Giuseppe de Nittis (Barletta, 1846 - Saint-Germain-en-Laye, 1884) and Federico Zandomeneghi (Venice, 1841 - Paris, 1917).
“The new collaboration,” the communiqué reads, “arises under the sign of rigor, scientificity and competence, indispensable in such a complex and full of pitfalls field.” The two institutes have already collaborated to organize the exhibition The Time of Signorini and De Nittis. The Nineteenth Century Open to the World in the Borgiotti and Piceni Collections, set up first at the Matteucci Institute’s headquarters in Viareggio, and these days in Turin at Spazi Ersel (the exhibition can be visited until April 28).
The archives have already equipped themselves with a website, www.archiviboldinidenittiszandomeneghi. com, within which it is possible to delve into the activities of the archives themselves: “although Boldini, de Nittis and Zandomeneghi have been the subject of meritorious studies and rigorous investigations,” the presentation reads, “the proliferation of erroneously attributed or apocryphal works is among the reasons that made it opportune to establish a reference structure for archiving.” Indeed, the archive’s initiatives include the cataloguing of works, with the authentication and cataloguing of the production of the three Italiens de Paris. In-depth biographies, chronologies and bibliographies of the three painters can also be found on the site.
Pictured: Giovanni Boldini, In the garden (Alaide and Ottavio Banti), 1885 work.
Archives on the Italiens de Paris are born: to study Boldini, De Nittis, Zandomeneghi |
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