The sunflowers of Maria Prymachenko: for the first time in Italy the works of the Ukrainian artist


One year after the Russian invasion of Ukraine, as a sign of solidarity with the attacked country, the Mart in Rovereto is organizing an exhibition of works by renowned Ukrainian artist Maria Prymachenko in Trento at Palazzo delle Albere, with a selection of works from the Shevchenko Museum in Kiev.

One year after Russia’s invasion of Ukraine, the Mart in Rovereto presents the first Italian exhibition dedicated to Maria Prymachenko (Marija Oksentiïvna Prymačenko; Bolotnya, 1909 - 1997), the iconic Ukrainian cultural artist and 2009 Unesco artist, at the Palazzo delle Albere in Trento. The exhibition, scheduled from February 28 to June 4, 2023, is titled The Sunflowers of Maria Prymachenko . Works from the Taras Shevchenko National Museum in Kiev and features 54 works from the Taras Shevchenko National Museum in Kiev.

Although she never left her native Ukraine and lived for nearly ninety years in her native Bolotnja, Maria Prymachenko’s works have become world famous. Beginning in the 1930s, her works were first shown in Kiev, then in Moscow, Leningrad (now St. Petersburg), Warsaw, Prague, Sofia, Paris, and even Montreal. In 1937 the artist received a gold medal at theUniversal Exhibition in Paris. In 1966 she was awarded the highest national honor, the Taras Hryhorovych Shevchenko Prize; a few years later some of her works were chosen for an exclusive stamp series. After her death, astrologer Kiym Curjumov names a planet after her (1998). In 2009UNESCO chose her as artist of the year and the city of Kiev dedicated an avenue (formerly Lichacev Avenue) to her.



An exponent of naïve painting, heir to a centuries-old folkloric tradition rooted in Paleolithic art, Maria Prymachenko is distinguished by her recognizable, lively, immediate style, and has been beloved by several generations who, since the first half of the twentieth century, have helped build her myth. In her long life Maria Prymachenko is tireless: she embroiders, draws, paints, makes graphics, decorates ceramics; it is estimated that throughout her career she created about 5,000 works. Her art mixes folk culture and modern art, resignifies the iconography of Ukrainian tradition, recounts personal experiences and dreams.

With fantastic animals, lush flora, ancestral symbols Prymachenko

redefines popular imagery and makes it universal. Amidst rich details and bright colors, there is no room for empty surfaces, the ornamental movement is constant, unchanging, calm and endless. The paintings have rhythm, in the absence of edges they are magnetic, almost hypnotic. Familiar subjects (animals, flowers, natural elements) seem to wink but, at the same time, create dissonance. These are mysterious realms, magical places populated by unreal forms. Prymachenko’s work seems to come from prehistory, draws on pagan myths, Christian Orthodox and folk stories of Eurasia, amalgamates Slavic mythology and Russian legends, and is inspired by the great wall paintings of Ukrainian tradition and decorative art.

In her work, the painter synthesizes the cultural and artistic history of a great country now destroyed by war. A history, explains Julya Shilenko, curator of the Taras Shevchenko National Museum in Kiev, that lives on in the animals depicted in traditional honey cakes, in the worlds sung in mothers’ lullabies, in the decorations of textiles and carpets, in embroideries and furnishings: "Prymachenko’s works testify to the legacy of a great and varied school of folk art, the centuries-old culture of the Ukrainian people. It is like a bundle of thoughts and feelings drawn from fairy tales, legends and life itself.“ A set of elements that mix ”reality, intuition, fantasy and the subconscious. When the ’witch’s house’ opens, her fabulous, imaginative, sometimes even bizarre imagery goes out into the world."

Ukrainian Sunflowers is a project desired and coordinated by Vittorio Sgarbi, undersecretary at the Ministry of Culture and president of the Mart in Rovereto, organizer and promoter of the initiative. The double exhibition (from Feb. 26, in fact, a small nucleus of Prymachenko’s works will be set up in Viterbo, at the Museo dei Portici) is an important signal of solidarity and cultural closeness to Ukraine, exactly one year after the Russian invasion, which began on Feb. 24, 2022.

The exhibition is open Tuesday through Sunday from 10 a.m. to 6 p.m., Fridays until 9 p.m. Closed Mondays. Admission with Mart ticket: full 11 euros, reduced 7 euros, free for under 14. For more information you can visit the Mart website.

Maria Prymachenko, Girasole (1988; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Sunflower (1988; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Fiori dell’universo(patlashki) in un vaso (1964; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Flowers of the Universe (patlashki) in a Vase (1964; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Un’orsa con un cucciolo nei resort, e un orso a casa che si succhia la zampa per il dolore… (1988; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, A bear with a cub in the resorts, and a bear at home sucking its paw in pain... (1988; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Oh, sulla montagna mietono i mietitori (1965; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Oh, on the mountain reapers re
ap
(1965; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Aspetta signorina, non andare troppo veloce, dai da bere al mio cavallo (1965; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Wait young lady, don’t go too fast, give my horse a drink (1965; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Gli ucraini ballano e arano il grano (1986; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Ukrainians Dance and Plow the Grain (1986; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Lekaha graffia. Ed è primavera, ma a lei non interessa e la bocca è sana (1990; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Lekaha scratches. And it’s spring, but she doesn’t care and her mouth is healthy (1990; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Tutti I leoni amano la bellezza della leonessa (1991; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, All Lions Love the Beauty of the Lioness (1991; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Un toro tra i fiori fuma una pipa e pensa a come andare al pascolo nell'avena senza essere beccato (1983; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, A bull among flowers smokes a pipe and thinks about how to go grazing in the oats without getting caught (1983; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Vanya ha catturato il serpente e lo ha imbrigliato e portato nel serraglio (...) (1989; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, Vanya caught the snake and harnessed it and brought it into the menagerie (...) (1989; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, La cincia primaverile porta il canto ai bambini (1978; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, The spring titmouse brings song to the children (1978; Kiev, Taras Shevchenko National Museum)
Maria Prymachenko, Il coccodrillo cattura le scimmie (1963; Kiev, Museo Nazionale Taras Shevchenko)
Maria Prymachenko, The crocodile catches the monkeys (1963; Kiev, Taras Shevchenko National Museum)

The sunflowers of Maria Prymachenko: for the first time in Italy the works of the Ukrainian artist
The sunflowers of Maria Prymachenko: for the first time in Italy the works of the Ukrainian artist


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