Chi è Camilla Fattore
Nata a Venezia nel 1997, dopo il conseguimento della maturità classica, ha studiato Scienze dei Beni Culturali, presso l'Università degli Studi di Milano, e successivamente Storia delle arti e conservazione dei beni artistici, curriculum moderno, all'Università Ca' Foscari di Venezia. Fa parte del gruppo di ricerca RiVe, Centro Studi Rinascimento Veneziano, ed è attualmente borsista presso la Fondazione Cini.
All the articles by Camilla Fattore on Finestre sull'Arte
Lazzaro Bastiani. An artist on the margins of the greats of the early Venetian Renaissance.
Roberto Longhi-in an essay written between 1925 and 1926, but published posthumously-was able to summarize with a proposition of unusual clarity the critical history of Lazzaro Bastiani, documented as a depentor from 1456 to 1512, when in the list of...Read more...
Ferrara's chained bear: possible hypotheses about its meaning
Beyond the attributive proposals and the possible destination of the panels, the fierce chained bear in the Pinacoteca Nazionale di Ferrara remains an extremely eloquent and fascinating element, whose enigmatic nature sums up the mystery that still s...Read more...
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Masterpieces of the Flemish world at the Royal Museums of Fine Arts of Belgium
Jacopo Suggi - 19/11/2024 -
Monte Vibiano Vecchio, a labyrinth and a castle in the heart of Umbria
Redazione - 18/11/2024 -
Keil Space's artistic revolution in Florence: the observer at the center as co-creator
Luca Rossi - 15/11/2024 -
The Fondaco dei Tedeschi, history and transformations of a symbol of Venice
Redazione - 15/11/2024 -
Andrea Pozzo's masterpiece: the Glory of St. Ignatius in Rome
Federico Giannini, Ilaria Baratta - 14/11/2024 -
Sumptuous and cloistered. The Castle of Moncalieri
Federico Giannini - 10/11/2024 -
The Museum of Mediterranean Weaving in Castelsardo: a museum for an ancient craft technique
Redazione - 01/11/2024 -
The Advent Market in Hall in Tirol:?the magic of Christmas in the heart of Tyrol
Redazione - 31/10/2024 -
The Treasure of the Grand Dukes and the collecting of the Tuscan court
Jacopo Suggi - 29/10/2024 -
Veronese villages among history, autumn colors and centuries-old traditions
Redazione - 29/10/2024 -
The Salzburg Fortress has introduced a unique attraction for the public: a set of games
Redazione - 25/10/2024 -
In Austria there is a winter jazz festival held inside museums and churches: the 3 Tage Jazz in Saalfelden
Redazione - 20/10/2024
Most read of the month
- A long, repetitive immersion in Munch's anguish. What the Milan exhibition looks like
By Ilaria Baratta - published on 08/11/2024 alle 14:05:49 - 0 Commenti - Artissima 2024, our selection: 20 works to see (with prices)
By Redazione - published on 02/11/2024 alle 16:39:55 - 0 Commenti - What was the really dark part of Giuli's speech.
By Federico Giannini - published on 13/11/2024 alle 20:41:10 - 0 Commenti - Andrea Pozzo's masterpiece: the Glory of St. Ignatius in Rome
By Federico Giannini, Ilaria Baratta - published on 14/11/2024 alle 19:22:41 - 0 Commenti - Ten things to know about Helen Frankenthaler
By Redazione - published on 25/10/2024 alle 02:08:55 - 0 Commenti - How error guided Cartier-Bresson in Italy. Interview with Clément Chéroux
By Francesca Anita Gigli - published on 22/10/2024 alle 17:53:14 - 0 Commenti - An intense journey among the great and forgotten of the 16th century in Ferrara. What the exhibition at the Palazzo dei Diamanti looks like
By Federico Giannini - published on 17/11/2024 alle 15:57:03 - 0 Commenti - Artissima? Boring as hell. In Turin this year it was better to enjoy the sunshine
By Federico Giannini - published on 03/11/2024 alle 21:47:52 - 0 Commenti - Henri Cartier-Bresson, the decisive instant of the South
By Maurizio Cecchetti - published on 16/11/2024 alle 11:36:10 - 0 Commenti - One hundred years since the Surrealist Manifesto. What the Surréalisme exhibition at the Centre Pompidou looks like.
By Stella Cattaneo - published on 18/11/2024 alle 19:37:39 - 0 Commenti
