One of the most beautiful photographs of Pino Pascali was taken by Andrea Taverna in the artist's Roman studio in 1968: it depicts him as a rural shaman, dressed in raffia costumes and other objects. In fact, however, at its highest points, that shoo...
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"To draw well," Valerio Adami asserted, "one needs broad gestures, I would say the style of a tennis player... ". On several occasions during his long career, he in fact argued for the primacy of drawing in his creative research: it is here - as atte...
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For more than a decade Cristina Beltrami, like many scholars gravitating to the lagoon, has been concerned with the history of the Venice Biennale, focusing her attention on the complex and not always linear relationship of the first editions with co...
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