Who is Annamaria Mauro
Annamaria Mauro è direttrice del Museo Nazionale di Matera.
All the articles by Annamaria Mauro on Finestre sull'Arte
The work of art and the reproduction of its images. An open debate
The question of the relationship between the work of art and its image, understood as an instrument of communication, dissemination and knowledge, is a figure of great theoretical interest, a symptom that imposes itself on our attention in the presen...Read more...
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The Fortress of Ravaldino: Caterina Sforza's fortress symbol of Forli.
Redazione - 17/12/2024 -
When Donatello and Masaccio agreed on the Renaissance revolution in Pisa.
Federico Giannini, Ilaria Baratta - 17/12/2024 -
Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
Claudia Farini - 14/12/2024 -
Giuseppe Gorni, the artist who celebrated the Mantuan countryside, and his museum in Quistello
Redazione - 13/12/2024 -
A new museum in Ravenna dedicated to Lord Byron and the Risorgimento
Redazione - 10/12/2024 -
Discovering Marco Palmezzano and Luca Longhi, masters of the Renaissance in Romagna
Redazione - 09/12/2024 -
History of the Florentine commesso, an ancient technique of high craftsmanship
Jacopo Suggi - 06/12/2024 -
The labyrinth of Lucca Cathedral: a sacred symbol linked to Greek myth
Redazione - 05/12/2024 -
Journey to Vienna among the places of Johann Strauss son, who popularized the waltz
Redazione - 01/12/2024 -
Journey to discover the Malatesta Castles in the heart of Romagna
Redazione - 28/11/2024 -
The Snow Labyrinth of Chamois, a work of Land Art in the most unspoiled Aosta Valley
Redazione - 26/11/2024 -
Masterpieces of the Flemish world at the Royal Museums of Fine Arts of Belgium
Jacopo Suggi - 19/11/2024
Most read of the month
- Tourism in Tuscany: there is a whole part of the region that is little known and needs to be told
By Francesco Tapinassi - published on 28/11/2024 alle 08:10:01 - 0 Commenti - But could Italy ask France to return the works requisitioned by Napoleon?
By Federico Giannini, Ilaria Baratta - published on 03/12/2024 alle 14:10:51 - 0 Commenti - Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
By Claudia Farini - published on 14/12/2024 alle 17:00:06 - 0 Commenti - Return to futurism: here's what the National Gallery of Rome exhibition looks like
By Federico Giannini - published on 04/12/2024 alle 22:33:24 - 0 Commenti - The extraordinary relevance of Giorgio Vasari, modern artist. What the Arezzo exhibition looks like
By Federico Giannini - published on 15/12/2024 alle 15:20:03 - 0 Commenti - Vincenzo Giustiniani, a collector of Macchiaioli.
By Federico Giannini, Ilaria Baratta - published on 06/12/2024 alle 20:20:57 - 0 Commenti - One hundred years since the Surrealist Manifesto. What the Surréalisme exhibition at the Centre Pompidou looks like.
By Stella Cattaneo - published on 18/11/2024 alle 19:37:39 - 0 Commenti - Has the Carrara Academy in Bergamo become unmanageable?
By Leonardo Bison - published on 23/11/2024 alle 12:36:03 - 0 Commenti - About Picasso the foreigner
By Redazione - published on 23/11/2024 alle 12:34:16 - 0 Commenti - When William Blake painted the ghost of a flea--after a vision
By Redazione - published on 25/11/2024 alle 19:08:14 - 0 Commenti
