Who is Andrea Brugnoli
Docente di informatica umanistica, Università di Verona; Coordinatore nazionale del movimento Fotografie Libere per i Beni Culturali.
All the articles by Andrea Brugnoli on Finestre sull'Arte
Paying for cultural heritage images: what model should be referred to?
The enactment of the "Tarasco" decree(call it by its name) and the almost simultaneous court rulings in Florence have suddenly reawakened the debate on the management of reproductions of public cultural property. Decree and rulings have in fact marke...Read more...
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The Pietro Aldi Cultural Pole in Saturnia: a model of good musealization
Jacopo Suggi - 28/12/2024 -
Discovering Gubbio: 10 places to get to know the city
Redazione - 27/12/2024 -
Discovering Modena: 10 places to get to know the city
Redazione - 26/12/2024 -
Correggio's Adoration of the Child: an intimate and universal scene of the miracle of the Nativity
Ilaria Baratta - 24/12/2024 -
Viboldone Abbey, monastic peace amid the chaos of Milan's suburbs
Federico Giannini - 22/12/2024 -
When art in the Renaissance was also political propaganda: Garofalo's masterpiece
Federico Giannini, Ilaria Baratta - 20/12/2024 -
The Fortress of Ravaldino: Caterina Sforza's fortress symbol of Forli.
Redazione - 17/12/2024 -
When Donatello and Masaccio agreed on the Renaissance revolution in Pisa.
Federico Giannini, Ilaria Baratta - 17/12/2024 -
Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
Claudia Farini - 14/12/2024 -
A new museum in Ravenna dedicated to Lord Byron and the Risorgimento
Redazione - 10/12/2024 -
Discovering Marco Palmezzano and Luca Longhi, masters of the Renaissance in Romagna
Redazione - 09/12/2024 -
Journey to Vienna among the places of Johann Strauss son, who popularized the waltz
Redazione - 01/12/2024
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By Federica Schneck - published on 21/12/2024 alle 16:23:32 - 0 Commenti - But could Italy ask France to return the works requisitioned by Napoleon?
By Federico Giannini, Ilaria Baratta - published on 03/12/2024 alle 14:10:51 - 0 Commenti - Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
By Claudia Farini - published on 14/12/2024 alle 17:00:06 - 0 Commenti - The extraordinary relevance of Giorgio Vasari, modern artist. What the Arezzo exhibition looks like
By Federico Giannini - published on 15/12/2024 alle 15:20:03 - 0 Commenti - Return to futurism: here's what the National Gallery of Rome exhibition looks like
By Federico Giannini - published on 04/12/2024 alle 22:33:24 - 0 Commenti - How Etruscan art influenced twentieth-century art
By Redazione - published on 10/12/2024 alle 19:31:27 - 0 Commenti - Viboldone Abbey, monastic peace amid the chaos of Milan's suburbs
By Federico Giannini - published on 22/12/2024 alle 16:38:34 - 0 Commenti - Vincenzo Giustiniani, a collector of Macchiaioli.
By Federico Giannini, Ilaria Baratta - published on 06/12/2024 alle 20:20:57 - 0 Commenti - Correggio's Adoration of the Child: an intimate and universal scene of the miracle of the Nativity
By Ilaria Baratta - published on 24/12/2024 alle 16:20:24 - 0 Commenti - When art and poetry were twins. What the exhibition "Painting and Poetry" at the Borghese Gallery looks like.
By Federico Giannini - published on 29/12/2024 alle 15:12:14 - 0 Commenti
