Federica Schneck, classe 1996, è curatrice indipendente e social media manager.
Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico.
Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.
All the articles by Federica Schneck on Finestre sull'Arte
To walk through any major city today is to move through an open-air museum, but not always of paintings or sculptures. The windows of fast fashion brands display images, shapes, and colors that seem stolen from anart history catalog: Van Gogh prints ...
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There was a time when the museum was considered a temple of knowledge, a place where society confronted its own history, where art was kept not only to be contemplated, but also to be studied, understood, passed on. Today, in many cases, those temple...
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There are places intwentieth-century art where reality suddenly seems to open up, multiply, slip out of its usual form. All it takes is a mirror, a sheet of glass that, instead of returning a faithful image, betrays it, doubles it, reinvents it.
The...
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There are figures who, more than others, traverse art history as ambivalent presences, somewhere between the generosity ofthe patron and the rigor of the banker. Figures who do not create, do not paint, do not sculpt, but without whom much art woul...
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There was a time whenart knew how to set the squares on fire. When Manet exhibited his Olympia in 1865, the Parisian bourgeoisie screamed outrage: it was not the nude itself, but the direct gaze of the model, who did not allow herself to be consumed ...
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In the business world,innovation is what shifts the balance. It is the force that designs the future, that breaks paradigms, that forces the system to reinvent itself. But in the contemporary art world, where everything seems unstable and in flux, wh...
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Near Geneva, along quiet arteries that escape the tourist routes, is a complex that resembles neither a museum nor a gallery: the Geneva Freeport. The facade is austere, almost anonymous. Armored doors, fences, surveillance systems. The entrance seem...
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Not all artists move in the global vortex of theart market. In many parts of the world, art is born and developed in territories where the commercial system is almost nonexistent or barely noticeable. Here, art grows in a completely different terrain...
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