Federica Schneck, classe 1996, è curatrice indipendente e social media manager.
Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico.
Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.
All the articles by Federica Schneck on Finestre sull'Arte
Some careers seem designed by design: not because of lack of talent, but because of the lucidity with which everything happens. The debut at the right time, the right look, the right technique, the right face. And then, of course, the right connectio...
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"Once upon a time" a painting that did not want to reassure. A painting that scratched, that whispered through mute faces and animal paws, a painting that hid behind veils of color and allusions, as if each canvas were the thin curtain between a worl...
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There is one word that comes back, like a mantra, in Instagram press releases and sponsored carousels: experience. Immersive experience. Unique experience. Digital experience. In recent years, the art world (or rather: the art marketing world) has di...
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There are colors that are remembered. Carmine red, cobalt blue, Veronese green. Then there is Payne's gray: a hue that seems made not for shouting, but for remembering. Giulia Andreani employs it as if it were a form of language. Not a hue, but a cod...
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In the middle of the night, on an ink-black canvas, emerges a phallic figure standing alone on a calm sea, illuminated by a blazing sunset. It is Sea Dick (2022), one of the most recent works by Tala Madani, an Iranian-American artist who for years h...
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At the heart of the contemporary digital landscape, Petra Cortright moves like a cybernetic gardener, sowing pixels and reaping emotions. Born in 1986 in Santa Barbara, California, and educated between California College of the Arts and Parsons The N...
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It is hard not to get the impression that something is about to explode when one is confronted with a work by Jamian Juliano-Villani. And it is not just the visual density, the well-orchestrated chaos of references and images, but a deeper tension, a...
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In the guarded silence of a museum, everything seems still. The works stand, motionless, like relics of another time. Visitors skim with their eyes, walk slowly, sometimes read, often photograph. But what happens when something breaks? When one of th...
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