Federica Schneck, classe 1996, è curatrice indipendente e social media manager.
Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico.
Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.
All the articles by Federica Schneck on Finestre sull'Arte
In December 2018, the South Bank esplanade in London was transformed into a scene of stark beauty. Blocks of ice, ripped from the heart of the Arctic, materialized among the buildings and lights of the city thanks to the artistic intervention of Olaf...
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We live in an age where places, those defined as such, have become increasingly liquid, undefined. Geography, as we perceive it, has changed. Almost without realizing it, we have found ourselves immersed in spaces that are no longer tied to the histo...
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In a world increasingly dominated by image culture, Instagram has turned into one of the most powerful tools for contemporary artists. It is not just a platform for sharing one's work, but a true digital exhibition space, capable of connecting the ar...
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Imagine you are walking through a museum, the floor creaking slightly under your feet. The soft but uneasy light reflects a kaleidoscope of colors off the walls, while a voice whispers something. You are not sure if it is inviting you or warning you....
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In recent years, the Non-Fungible Token ( NFT ) phenomenon has rocked the art world like a bolt from the blue, bringing with it promises of revolution, democratization, and new creative frontiers. Today, however, we find ourselves reflecting on the r...
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Art has always had an ambivalent relationship with technology. On the one hand, it has embraced it as a tool to expand its language; on the other, it has questioned it, problematizing its effects on our living and thinking. In this dialectic, some co...
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When we think of an archive, the image that looms before our eyes is that of an orderly, quiet place filled with shelves and catalogs. A static place, designed to preserve and hand down. Cuccchi, Enzo Cucchi's digital archive, on the other hand, is t...
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There is a paradox running through the contemporary art market, a dichotomy that pulses like a raw nerve between international fairs and small ateliers, between million-dollar auctions and neighborhood exhibitions. It is growing polarization-a phenom...
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