Federica Schneck, classe 1996, è curatrice indipendente e social media manager.
Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico.
Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.
All the articles by Federica Schneck on Finestre sull'Arte
For decades they have been among the most prominent names inglobal contemporary art. Market icons, stars of record auctions, celebrated at museums and biennials, pursued by collectors and curators. Each with a recognizable universe: Jeff Koons and th...
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"Art must disturb the comfortable and comfort the disturbed," stated CésarCruz. But what happens when it is preciselyart that is inconvenient to those in cultural or political power? And when awork is removed, erased, obscured, can we still s...
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It was unclear whether it was day or evening. The light, filtered through heavy curtains, caught in the pigments still fresh on the canvas, shone in the pools of petrol blue, faded in the somber purples. Jadé Fadojutimi stood there, brush dow...
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Some careers seem designed by design: not because of lack of talent, but because of the lucidity with which everything happens. The debut at the right time, the right look, the right technique, the right face. And then, of course, the right connectio...
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"Once upon a time" a painting that did not want to reassure. A painting that scratched, that whispered through mute faces and animal paws, a painting that hid behind veils of color and allusions, as if each canvas were the thin curtain between a worl...
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There is one word that comes back, like a mantra, in Instagram press releases and sponsored carousels: experience. Immersive experience. Unique experience. Digital experience. In recent years, the art world (or rather: the art marketing world) has di...
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There are colors that are remembered. Carmine red, cobalt blue, Veronese green. Then there is Payne's gray: a hue that seems made not for shouting, but for remembering. Giulia Andreani employs it as if it were a form of language. Not a hue, but a cod...
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In the middle of the night, on an ink-black canvas, emerges a phallic figure standing alone on a calm sea, illuminated by a blazing sunset. It is Sea Dick (2022), one of the most recent works by Tala Madani, an Iranian-American artist who for years h...
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