Chi è Cristina Beltrami

All the articles by Cristina Beltrami on Finestre sull'Arte

Art Basel reclaims its name and rediscovers the Grand Palais: a monumental fair

Art Basel reclaims its name and rediscovers the Grand Palais: a monumental fair

It has regained its former institutional home, the imposing Grand Palais, and definitively enshrined its new name, Art Basel Paris, the multi-location fair that from city to city marks the annual calendar for the entire art world and creates a series...
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Like a trip to the French Midi: what the Matisse exhibition in Mestre is like.

Like a trip to the French Midi: what the Matisse exhibition in Mestre is like.

Constructed like a journey is the fine exhibition that the MUVE-Candiani Cultural Center has dedicated to Henri Matisse, a journey to that "Midi" in which, as art historian André Chastel guessed, "French modern art" was born, which in that par...
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When the Biennale exhibited masterpieces from glassworks. What the exhibition at the Glass Rooms looks like.

When the Biennale exhibited masterpieces from glassworks. What the exhibition at the Glass Rooms looks like.

On the sidelines of the LX Venice Biennale, Le Stanze del Vetro dedicate a historical exhibition to the presence of Murano glass in the Giardini Pavilion between 1912 and 1930. The exhibition is a rare opportunity to admire extraordinary masterpieces...
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Not Vital's sculpture: an unusual book for a contemporary artist

Not Vital's sculpture: an unusual book for a contemporary artist

Alma Zevi counts on a solid training in art history at the Courtauld Institute in London, where, in a temple of the Renaissance, when choosing her thesis subject, she proposed a contemporary theme: the sculpture of Not Vital, a research therefore on ...
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