Who is Ketty Iannantuono
Storica, dottoranda al Dipartimento di Storia della Radboud University di Nimega (Olanda)
All the articles by Ketty Iannantuono on Finestre sull'Arte
What fate for monuments related to colonialism? An inclusive remembrance
In 1936, Robert Musil stated, "there is nothing in this invisible world like a monument." And indeed, usually the throngs of statues that populate our squares go rather unnoticed. In recent days, however, social media, televisions and newspapers arou...Read more...
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When art in the Renaissance was also political propaganda: Garofalo's masterpiece
Federico Giannini, Ilaria Baratta - 20/12/2024 -
The Fortress of Ravaldino: Caterina Sforza's fortress symbol of Forli.
Redazione - 17/12/2024 -
When Donatello and Masaccio agreed on the Renaissance revolution in Pisa.
Federico Giannini, Ilaria Baratta - 17/12/2024 -
Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
Claudia Farini - 14/12/2024 -
Giuseppe Gorni, the artist who celebrated the Mantuan countryside, and his museum in Quistello
Redazione - 13/12/2024 -
A new museum in Ravenna dedicated to Lord Byron and the Risorgimento
Redazione - 10/12/2024 -
Discovering Marco Palmezzano and Luca Longhi, masters of the Renaissance in Romagna
Redazione - 09/12/2024 -
History of the Florentine commesso, an ancient technique of high craftsmanship
Jacopo Suggi - 06/12/2024 -
The labyrinth of Lucca Cathedral: a sacred symbol linked to Greek myth
Redazione - 05/12/2024 -
Journey to Vienna among the places of Johann Strauss son, who popularized the waltz
Redazione - 01/12/2024 -
Journey to discover the Malatesta Castles in the heart of Romagna
Redazione - 28/11/2024 -
The Snow Labyrinth of Chamois, a work of Land Art in the most unspoiled Aosta Valley
Redazione - 26/11/2024
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By Federico Giannini - published on 15/12/2024 alle 15:20:03 - 0 Commenti - Return to futurism: here's what the National Gallery of Rome exhibition looks like
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