Who is Hans-Ulrich Obrist
Hans Ulrich Obrist è il direttore artistico delle Serpentine Galleries di Londra. Ph. Credit Jurgen Teller
All the articles by Hans-Ulrich Obrist on Finestre sull'Arte
What do contemporary artists have to say about Artificial Intelligence?
Marshall McLuhan pointed out that larte has the ability to predict the future. In the introduction to his book Understainding Media he defines larte as a "warning system" that directs us to what is going to develop in the future, and allows us to...Read more...
Why we need artists in politics
This article, originally published in Artsy, unpublished in Italy and translated by us by kind permission of the author, is dedicated to the memory of Barbara Steveni, artist co-founder of the APG group, who passed away last Feb. 26. It was no...Read more...
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The Fortress of Ravaldino: Caterina Sforza's fortress symbol of Forli.
Redazione - 17/12/2024 -
When Donatello and Masaccio agreed on the Renaissance revolution in Pisa.
Federico Giannini, Ilaria Baratta - 17/12/2024 -
Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
Claudia Farini - 14/12/2024 -
Giuseppe Gorni, the artist who celebrated the Mantuan countryside, and his museum in Quistello
Redazione - 13/12/2024 -
A new museum in Ravenna dedicated to Lord Byron and the Risorgimento
Redazione - 10/12/2024 -
Discovering Marco Palmezzano and Luca Longhi, masters of the Renaissance in Romagna
Redazione - 09/12/2024 -
History of the Florentine commesso, an ancient technique of high craftsmanship
Jacopo Suggi - 06/12/2024 -
The labyrinth of Lucca Cathedral: a sacred symbol linked to Greek myth
Redazione - 05/12/2024 -
Journey to Vienna among the places of Johann Strauss son, who popularized the waltz
Redazione - 01/12/2024 -
Journey to discover the Malatesta Castles in the heart of Romagna
Redazione - 28/11/2024 -
The Snow Labyrinth of Chamois, a work of Land Art in the most unspoiled Aosta Valley
Redazione - 26/11/2024 -
Masterpieces of the Flemish world at the Royal Museums of Fine Arts of Belgium
Jacopo Suggi - 19/11/2024
Most read of the month
- Tourism in Tuscany: there is a whole part of the region that is little known and needs to be told
By Francesco Tapinassi - published on 28/11/2024 alle 08:10:01 - 0 Commenti - But could Italy ask France to return the works requisitioned by Napoleon?
By Federico Giannini, Ilaria Baratta - published on 03/12/2024 alle 14:10:51 - 0 Commenti - Pietro da Cortona's The Triumph of Divine Providence, a fundamental text of 17th-century art
By Claudia Farini - published on 14/12/2024 alle 17:00:06 - 0 Commenti - Return to futurism: here's what the National Gallery of Rome exhibition looks like
By Federico Giannini - published on 04/12/2024 alle 22:33:24 - 0 Commenti - The extraordinary relevance of Giorgio Vasari, modern artist. What the Arezzo exhibition looks like
By Federico Giannini - published on 15/12/2024 alle 15:20:03 - 0 Commenti - Vincenzo Giustiniani, a collector of Macchiaioli.
By Federico Giannini, Ilaria Baratta - published on 06/12/2024 alle 20:20:57 - 0 Commenti - One hundred years since the Surrealist Manifesto. What the Surréalisme exhibition at the Centre Pompidou looks like.
By Stella Cattaneo - published on 18/11/2024 alle 19:37:39 - 0 Commenti - Has the Carrara Academy in Bergamo become unmanageable?
By Leonardo Bison - published on 23/11/2024 alle 12:36:03 - 0 Commenti - About Picasso the foreigner
By Redazione - published on 23/11/2024 alle 12:34:16 - 0 Commenti - How Etruscan art influenced twentieth-century art
By Redazione - published on 10/12/2024 alle 19:31:27 - 0 Commenti
