Chi è Hans-Ulrich Obrist
Hans Ulrich Obrist è il direttore artistico delle Serpentine Galleries di Londra. Ph. Credit Jurgen Teller
All the articles by Hans-Ulrich Obrist on Finestre sull'Arte
What do contemporary artists have to say about Artificial Intelligence?
Marshall McLuhan pointed out that larte has the ability to predict the future. In the introduction to his book Understainding Media he defines larte as a "warning system" that directs us to what is going to develop in the future, and allows us to...Read more...
Why we need artists in politics
This article, originally published in Artsy, unpublished in Italy and translated by us by kind permission of the author, is dedicated to the memory of Barbara Steveni, artist co-founder of the APG group, who passed away last Feb. 26. It was no...Read more...
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Keil Space's artistic revolution in Florence: the observer at the center as co-creator
Luca Rossi - 15/11/2024 -
The Fondaco dei Tedeschi, history and transformations of a symbol of Venice
Redazione - 15/11/2024 -
Andrea Pozzo's masterpiece: the Glory of St. Ignatius in Rome
Federico Giannini, Ilaria Baratta - 14/11/2024 -
Sumptuous and cloistered. The Castle of Moncalieri
Federico Giannini - 10/11/2024 -
The Museum of Mediterranean Weaving in Castelsardo: a museum for an ancient craft technique
Redazione - 01/11/2024 -
The Advent Market in Hall in Tirol:?the magic of Christmas in the heart of Tyrol
Redazione - 31/10/2024 -
The Treasure of the Grand Dukes and the collecting of the Tuscan court
Jacopo Suggi - 29/10/2024 -
Veronese villages among history, autumn colors and centuries-old traditions
Redazione - 29/10/2024 -
The Salzburg Fortress has introduced a unique attraction for the public: a set of games
Redazione - 25/10/2024 -
Where do the coins from the Trevi Fountain go?
Andrea Laratta - 24/10/2024 -
In Austria there is a winter jazz festival held inside museums and churches: the 3 Tage Jazz in Saalfelden
Redazione - 20/10/2024 -
An end and not a means. The 100 years of the Ravenna Mosaic School.
Redazione - 18/10/2024
Most read of the month
- A long, repetitive immersion in Munch's anguish. What the Milan exhibition looks like
By Ilaria Baratta - published on 08/11/2024 alle 14:05:49 - 0 Commenti - Artissima 2024, our selection: 20 works to see (with prices)
By Redazione - published on 02/11/2024 alle 16:39:55 - 0 Commenti - What was the really dark part of Giuli's speech.
By Federico Giannini - published on 13/11/2024 alle 20:41:10 - 0 Commenti - Ten things to know about Helen Frankenthaler
By Redazione - published on 25/10/2024 alle 02:08:55 - 0 Commenti - Andrea Pozzo's masterpiece: the Glory of St. Ignatius in Rome
By Federico Giannini, Ilaria Baratta - published on 14/11/2024 alle 19:22:41 - 0 Commenti - How error guided Cartier-Bresson in Italy. Interview with Clément Chéroux
By Francesca Anita Gigli - published on 22/10/2024 alle 17:53:14 - 0 Commenti - Picasso was also a migrant. What the Milan exhibition looks like
By Federico Giannini - published on 20/10/2024 alle 14:10:18 - 0 Commenti - Artissima? Boring as hell. In Turin this year it was better to enjoy the sunshine
By Federico Giannini - published on 03/11/2024 alle 21:47:52 - 0 Commenti - Henri Cartier-Bresson, the decisive instant of the South
By Maurizio Cecchetti - published on 16/11/2024 alle 11:36:10 - 0 Commenti - Andrea Baboni celebrated in Correggio with a valuable and fascinating exhibition
By Giuseppe Adani - published on 19/10/2024 alle 14:39:34 - 0 Commenti
