Curated by Francesca Manzini and Francesca Baboni, the city of Correggio honors with an exhibition(Viaggio tra Otto e Novecento. The Andrea Baboni Collection: a creative journey between painting and collecting) its illustrious son Andrea Baboni, born...
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Yes, to Correggio some of those pious monks of the Abbey of San Giovanni in Parma, in 1519, might well have advised him to depict an Ascension up there, in that white dome just finished "more romano": so much so that the still young painter, just out...
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Next September 8, the city of Parma will inaugurate an exceptional and very singular exhibition: an unforgettable Fifth Centenary of Correggio's creative cycle. Indeed, the "secularia quinta" of the Painter's extraordinary presence on the Italian art...
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Excluded for centuries to the frequentation of citizens and people the summer retreat of the Roman Pontiffs, set as a gem on the shore of Lake Albano, knows from today a new and welcoming role of choral invitation as a gaudy seat with its furnished h...
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In the strutting, superb Turin, in the sunny splendor of the Savoy square next to the Royal Palace, within the cozy halls of Palazzo Chiablese, stands a luminous and splendid exhibition, perhaps unexpected but for that reason surprising and magnifice...
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The Madonna of Albinea, painted by Correggio in 1519, stands as a singular compositional and executive pivot at a temporal juncture of the height of the Italian Renaissance; that artistic phenomenon that had already reached the "great manner" and tha...
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The Pinacoteca Nazionale di Bologna offers citizens and international culture an exhibition on Guercino (Cento, 1591 - Bologna, 1666). A review toward an anthology of works that place the master at the center of seventeenth-century European painting ...
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In 2021, the Art Newspaper chose as its book of the year David Ekserdjian's monumental work The Italian Renaissance Altarpiece: an endeavor that we could call "the great reflection" on the greatest pictorial phenomenon of the Italian Renaissance, nam...
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