Chi è Giulia Carletti

Storica dell'arte, specializzata in curatela e museologia critica a Milano (con tesi When will we come clean about our purposes?), insegna storia dell'arte nelle scuole secondarie a Roma. Interessata alle politiche culturali e ai loro strumenti di attivazione e trasformazione di una comunità, porta avanti i suoi studi sui beni culturali come beni comuni, collaborando con associazioni attive sul territorio e curando mostre con artisti emergenti a Roma e a Milano, come Ho fissato uno sguardo che stava per scomparire (2017) e Studio. Before but Around (2018).

Giulia Carletti

All the articles by Giulia Carletti on Finestre sull'Arte

Sustainable post-covid alternatives: what are ecomuseums?

Sustainable post-covid alternatives: what are ecomuseums?

by Giulia Carletti , written on 20/05/2020
Categories: Opinions
In times like these, which are difficult, and which drive creative inquiry, we realize how crucial it is to move, without leaving home. In such complicated times we appreciate the fact that many museums and art institutions have digitized works a...
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Museums, it is not enough to talk about enhancement. What should a museum be?

Museums, it is not enough to talk about enhancement. What should a museum be?

by Giulia Carletti , written on 23/02/2020
Categories: Opinions
Following the confirmation of the appointments by Cultural Heritage Minister Dario Franceschini of the directors of three of the country's most important collections (i.e., the Capodimonte Museum in Naples, the Galleria Nazionale d'Modern and Con...
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Short story of two long exhibitions: what happens to the collections of The National Gallery and The Van Abbemuseum

Short story of two long exhibitions: what happens to the collections of The National Gallery and The Van Abbemuseum

by Giulia Carletti , written on 12/06/2018
Categories: Opinions
The recent re-installations of two very important European collections of modern and contemporary art, namely The National Gallery in Rome and the Van Abbemuseum in Eindhoven, have stirred in me a thought about those two different pulls of the sa...
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