Who is Ilaria Baratta

Ilaria Baratta

Giornalista, è co-fondatrice di Finestre sull'Arte con Federico Giannini. È nata a Carrara nel 1987 e si è laureata a Pisa. È responsabile della redazione di Finestre sull'Arte.


All the articles by Ilaria Baratta on Finestre sull'Arte


Indonesia's surprising Pavilion at the Biennale: a journey and a new idea of History

Indonesia's surprising Pavilion at the Biennale: a journey and a new idea of History

Don't take it personally or, if you do, take offense at the somewhat strong comparison you are about to read. I think people are sometimes like those insects attracted by light (or sweat, given the season): they head in true swarms to what they hear ...
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Piacenza, Ricci Oddi Gallery reborn: collector's dream returns to shine

Piacenza, Ricci Oddi Gallery reborn: collector's dream returns to shine

The dream came true in 1931: it was in fact October 11 of that year when the Ricci Oddi Gallery in Piacenza was inaugurated to the public in the presence of the princes of Savoy, Umberto II and Maria José. Curiously, however, the official open...
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David Salle on display in Venice: "I train artificial intelligence on my visual archive"

David Salle on display in Venice: "I train artificial intelligence on my visual archive"

Can painting andAI interact in the creation of a work of art? Concrete proof of this are the new works by David Salle (Oklahoma, 1952), which arise from the encounter between painting and artificial intelligence, in an unprecedented dialogue that red...
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Giovanni Boldini beyond portraits: Lucca exhibition rediscovers a total painter

Giovanni Boldini beyond portraits: Lucca exhibition rediscovers a total painter

Giacomo Puccini 's most famous arias immediately immerse us in the atmosphere of the Belle Époque, the same atmosphere breathed by Giovanni Boldini, the painter of the elegant and seductive women who lived in the fascinating and vital period b...
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A bonsai museum or an exhibition in a box? The wonders of the Habsburgs in Rome, double review

A bonsai museum or an exhibition in a box? The wonders of the Habsburgs in Rome, double review

Why yes. Federico Giannini If the museum is a ruthless apparatus for organizing the visible, a distorted device for classifying images, all the less reasonable and all the more perverse must inevitably appear any miniaturization of it, any reduction...
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Spring as a state of mind: when we too begin to bloom again

Spring as a state of mind: when we too begin to bloom again

Between the rigors of winter and the explosion of summer, there is a season when shyly nature is reborn and blooms again. We notice it in the meadows filled with daisies, in the branches of trees, in the tiny buds that put seedlings on our balconies ...
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When Milan was the workshop of Neoclassicism. What the Gallerie d'Italia exhibition looks like.

When Milan was the workshop of Neoclassicism. What the Gallerie d'Italia exhibition looks like.

Keeping the attention of visitors along the entire path of an exhibition is no easy thing, especially when investigating a historical-artistic period, such as Neoclassicism and its major protagonists, to which a conspicuous number of exhibition proje...
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St. George from martyr to knight, the myth of Genoa. What the exhibition at the Royal Palace looks like

St. George from martyr to knight, the myth of Genoa. What the exhibition at the Royal Palace looks like

... and the knight saved the princess from the terrible dragon. It sounds like thehappy ending of one of those fairy tales we used to read to each other as children, already under the blankets, before falling asleep, but in fact the story of St. Geor...
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