Who is Ilaria Baratta

Ilaria Baratta

Giornalista, è co-fondatrice di Finestre sull'Arte con Federico Giannini. È nata a Carrara nel 1987 e si è laureata a Pisa. È responsabile della redazione di Finestre sull'Arte.


All the articles by Ilaria Baratta on Finestre sull'Arte


The Castle of Agliè, from the home of dukes and princes to the good of all

The Castle of Agliè, from the home of dukes and princes to the good of all

In Agliè Castle , time seems to have stood still at its last inhabitant, Duke Thomas of Savoy-Genoa, who sold it to the Italian state in 1939. Since then, the residence has become a public asset and is open to visitors as part of the circuit o...
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Wilhelm Brasse, the Auschwitz photographer who saved tens of thousands of images

Wilhelm Brasse, the Auschwitz photographer who saved tens of thousands of images

Photographing all the prisoners arriving at the Auschwitz concentration and extermination camp: this was the task of Wilhelm Brasse, still remembered today as the "Auschwitz photographer." Three photos for each prisoner, and while he was shooting, Wi...
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Art in the Ludovisi papacy, among the shortest of the seventeenth century. What the exhibition at the Scuderie del Quirinale looks like.

Art in the Ludovisi papacy, among the shortest of the seventeenth century. What the exhibition at the Scuderie del Quirinale looks like.

The most monumental altarpiece by Giovan Francesco Barbieri known as Guercino was commissioned to the Cento painter in 1621 by Pope Gregory XV, born Alessandro Ludovisi, for the head altar of the north aisle of St. Peter's Basilica, where in 1606 the...
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Correggio's Adoration of the Child: an intimate and universal scene of the miracle of the Nativity

Correggio's Adoration of the Child: an intimate and universal scene of the miracle of the Nativity

There is all the essence of Christmas, understood as birth, in the Madonna in Adoration of the Child by Antonio Allegri, known as Correggio (Correggio, c. 1489 - 1534) from his hometown in the lower Reggio area. An intimate and collected scene but at...
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Niki de Saint Phalle, total modern artist. What the exhibition at Mudec in Milan looks like.

Niki de Saint Phalle, total modern artist. What the exhibition at Mudec in Milan looks like.

Topical, captivating and complete: it is with these three adjectives that I would define the anthological exhibition that Mudec - Museo delle Culture in Milan dedicates to Niki de Saint Phalle (Neuilly-sur-Seine, 1930 - San Diego, 2002), the French-A...
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The patronage of Pius II, the humanist pope

The patronage of Pius II, the humanist pope

Building the ideal city at the height of the Renaissance was an ambitious project, to say the least, although the great passion for the arts and the high intellectual knowledge of one man, one of the greatest patrons of his time, had made this dream ...
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A long, repetitive immersion in Munch's anguish. What the Milan exhibition looks like

A long, repetitive immersion in Munch's anguish. What the Milan exhibition looks like

It is true that Edvard Munch is one of the most anguished artists ever: he himself claimed that his suffering, anxiety and illness were so much a part of himself and his art that their destruction would also destroy his art, but from the exhibition t...
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From Paolo Guinigi to Lorenzo Trenta: patronage in fifteenth-century Lucca

From Paolo Guinigi to Lorenzo Trenta: patronage in fifteenth-century Lucca

The ancient history of Lucca is closely linked to the Guinigi, one of the most important and influential families of merchants and bankers in the city. Consider, for example, the famous tower that bears their name, the Guinigi Tower, erected at the ...
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