Who is Federico Giannini
Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).
All the articles by Federico Giannini on Finestre sull'Arte
How art communication on social media has changed (and where it is going)
First, some data provided by the Digital 2024 Global Overview Report by We Are Social and Meltwater. First: the average time we spend on social each day has nearly doubled in the past decade. Second: in 2013 we spent 26.3% of the time we spend online...Read more...
An art of shadow and silence. What the exhibition on Raoul Dal Molin Ferenzona in Collesalvetti looks like.
More than fifty years have passed since Dario Durbè could still write that Raoul Dal Molin Ferenzona was an artist who was "unfortunately forgotten and difficult to reconstruct due to the lack of biographical news and documentation." It can be...Read more...
The idea of hosting the Mona Lisa in Lombardy makes no sense: no appeal from the Louvre to find a place for it
Let's be serious: there is no appeal for the search of a different location for the Mona Lisa, as the Lombardy Region's councillor for culture, Francesca Caruso, implied in a note this morning. No one at the Louvre has yet dreamed of asking for help,...Read more...
Luca Beatrice, a "tester" of Italian art. For a critical profile
Luca Beatrice has always been convinced that Futurism was the only, true Italian avant-garde of the twentieth century. It is necessary to start from here in order to situate his figure as a critic, of equal if not greater importance than that of the ...Read more...
Vallo di Nera, between Franciscan frescoes and movements of ancient popular devotion
Sunday morning of a cold and strange December, and the alleys of Black Wall are empty. There is no travel guidebook that forgets to mention this sandstone village in the lists of must-see places in the Valnerina. Orange flag, Borghi più belli ...Read more...
Why do we like landscape painting?
Writing to his brother Theo and sister-in-law Jo in mid-July 1890, a few days before he died, Vincent van Gogh said he had painted three large canvases, three "expanses of wheat fields under turbulent skies," and said he had painted them trying to lo...Read more...
What the press office of Italy's best 2024 exhibition does. Interview with Marco Ferri
The exhibition on Federico Barocci at the Galleria Nazionale delle Marche in Urbino (Federico Barocci Urbino. The Excitement of Modern Painting, June 20 to October 6, 2024, here our review), curated by Luigi Gallo and Anna Maria Ambrosini Massari wit...Read more...
The Malatesta Temple in Rimini, the Renaissance dream of Sigismondo Malatesta
It feels like entering a pagan temple. Or a sumptuous noble residence, if you prefer. When one enters the Malatesta Temple, one immediately gets the distinct impression that the glory of the Christian pantheon was not exactly high on the list of prio...Read more...
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The history of the long relationship between man and animal in the Anatomical Veterinary Museum of Pisa
Jacopo Suggi - 01/02/2025 -
The Castle of Agliè, from the home of dukes and princes to the good of all
Ilaria Baratta - 29/01/2025 -
The restoration of Lorenzo Lotto's Visitation: a masterpiece coming back to life. With its mystery
Noemi Capoccia - 29/01/2025 -
Siena's Pinacoteca Nazionale reassembles a masterpiece, Sano di Pietro's Polyptych of the Gesuati
Redazione - 28/01/2025 -
Between art and science, the Botanical Museum of the University of Pisa.
Jacopo Suggi - 28/01/2025 -
Prague's National Gallery, the charm of an eclectic capital through its masterpieces
Jacopo Suggi - 25/01/2025 -
Vallo di Nera, between Franciscan frescoes and movements of ancient popular devotion
Federico Giannini - 19/01/2025 -
The University of Pisa's Gipsoteca d'Arte Antica, a collection of classical statues in a church
Redazione - 16/01/2025 -
Administrative documents on pottery from ancient Egypt: the ostrakas of Oxyrhynchus
Redazione - 13/01/2025 -
Discovering Salerno: 10 places to see in the city
Redazione - 03/01/2025 -
Discovering Gubbio: 10 places to get to know the city
Redazione - 27/12/2024 -
Discovering Modena: 10 places to get to know the city
Redazione - 26/12/2024
Week calendar
From 05/02/2025 To 12/02/2025
This week's auctions
This week's auctions
From 02/02/2025 To 09/02/2025
This week's TV guide
This week's TV guide
From 03/02/2025 To 10/02/2025
Exhibitions opening this week
Exhibitions opening this week
Most read of the month
- The other side of the futurism exhibition: GNAM emptied, library and archives closed
By Leonardo Bison - published on 22/01/2025 alle 19:32:57 - 0 Commenti - Vallo di Nera, between Franciscan frescoes and movements of ancient popular devotion
By Federico Giannini - published on 19/01/2025 alle 15:46:41 - 0 Commenti - Ulvi Liegi between stain and impression in a painting that is an ode to color. The exhibition in Livorno
By Jacopo Suggi - published on 08/01/2025 alle 16:16:36 - 0 Commenti - Why do we like landscape painting?
By Federico Giannini - published on 12/01/2025 alle 14:38:28 - 0 Commenti - Siena's Pinacoteca Nazionale reassembles a masterpiece, Sano di Pietro's Polyptych of the Gesuati
By Redazione - published on 28/01/2025 alle 18:59:00 - 0 Commenti - Art is not just beauty: works are not passive. On the exhibition of works confiscated from the Mafia.
By Francesca Anita Gigli - published on 07/01/2025 alle 15:46:45 - 0 Commenti - The Castle of Agliè, from the home of dukes and princes to the good of all
By Ilaria Baratta - published on 29/01/2025 alle 17:22:28 - 0 Commenti - What the press office of Italy's best 2024 exhibition does. Interview with Marco Ferri
By Federico Giannini - published on 09/01/2025 alle 18:06:23 - 0 Commenti - Curators are now the real artists, and artists are weak. But this needs to be reversed
By Luca Rossi - published on 16/01/2025 alle 18:24:19 - 0 Commenti - A forest of construction sites: how the Ducal Palace in Mantua will become. Director Stefano L'Occaso speaks.
By Marta Santacatterina - published on 13/01/2025 alle 19:18:15 - 0 Commenti
