Who is Federico Giannini

Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).

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Federico Giannini


All the articles by Federico Giannini on Finestre sull'Arte


Has futurism in Rome made its way into the hearts of Italians? Perhaps not

Has futurism in Rome made its way into the hearts of Italians? Perhaps not

Two more months of the Futurism exhibition at the National Gallery of Modern and Contemporary Art: the extension for the exhibition, which was supposed to end last Feb. 28, comes after the Ministry of Culture found it to be a success. For Minister Al...
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The mild abstractionism of Gabriele Landi

The mild abstractionism of Gabriele Landi

For some time now, Gabriele Landi has taken to making cardboard or aluminum sculptures that always start from thin, light, simple sheets. They have inaugurated a new strand in his research, a refined, constant quest, always striving to explore the bo...
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Are they closing the Leonardo3 Museum to put a restaurant in its place? Director speaks

Are they closing the Leonardo3 Museum to put a restaurant in its place? Director speaks

The Leonardo3 Museum in Milan risks closure: this is the possible effect of a bureaucratic-administrative dispute over the space in which the facility is located, which has been dragging on since 2023 and has already reached the Lombardy Regional Adm...
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Inside Michelangelo Pistoletto's resonance chamber.

Inside Michelangelo Pistoletto's resonance chamber.

There is an advertising poster from the 1980s, the advertisement for an American hairspray, in which Andy Warhol can be seen holding a spray can in his hands, albeit with a certain concentration: he is wearing his typical dark turtleneck, he is weari...
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On the ... postmodern rearrangement of the GAM in Turin: is this what we want from a museum today?

On the ... postmodern rearrangement of the GAM in Turin: is this what we want from a museum today?

The Gallery of Modern Art (GAM) in Turin is not just any museum: it has been in existence for more than a century, is often proudly presented as the first public collection of modern art in Italy, and houses one of the richest and most comprehensive ...
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Bologna compares Guido Reni's two Atalantes. What the exhibition at the Pinacoteca Nazionale looks like.

Bologna compares Guido Reni's two Atalantes. What the exhibition at the Pinacoteca Nazionale looks like.

There should be queues on Via delle Belle Arti, in front of the entrance to the Pinacoteca Nazionale in Bologna, which for two months has granted faculty to the city, to Italy, to everyone, d'admire displayed side by side the two versions of Guido Re...
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How art communication on social media has changed (and where it is going)

How art communication on social media has changed (and where it is going)

First, some data provided by the Digital 2024 Global Overview Report by We Are Social and Meltwater. First: the average time we spend on social each day has nearly doubled in the past decade. Second: in 2013 we spent 26.3% of the time we spend online...
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An art of shadow and silence. What the exhibition on Raoul Dal Molin Ferenzona in Collesalvetti looks like.

An art of shadow and silence. What the exhibition on Raoul Dal Molin Ferenzona in Collesalvetti looks like.

More than fifty years have passed since Dario Durbè could still write that Raoul Dal Molin Ferenzona was an artist who was "unfortunately forgotten and difficult to reconstruct due to the lack of biographical news and documentation." It can be...
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