Exhibition reviews


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Laure Prouvost, when art goes quantum. What the exhibition at OGR in Turin looks like.

Laure Prouvost, when art goes quantum. What the exhibition at OGR in Turin looks like.

The debate on the intersection of art and science has experienced a significant acceleration in recent years in exploring the aesthetic possibilities offered by emerging technologies, as evidenced, one example above all, by the section The Unfinished...
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Andrea Appiani beyond Napoleon: Milan rediscovers the painter of beauty. What the exhibition looks like

Andrea Appiani beyond Napoleon: Milan rediscovers the painter of beauty. What the exhibition looks like

Almost half of what is preserved at the Brera Art Gallery is due to the ideas and taste of a man, Andrea Appiani, who was well regimented within the Napoleonic bureaucratic apparatus. Right from the start: as early as 1796, the year of Napoleon's arr...
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The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like

The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like

It could have been titled Les Italiens de Paris the Belle Époque exhibition currently running at Palazzo Blu in Pisa until April 7, 2026, and indeed the subtitle reads "Italian Painters in Paris in the Age of Impressionism." In fact, the prota...
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Georges de La Tour chokes at Jacquemart-André: what the Paris exhibition is like.

Georges de La Tour chokes at Jacquemart-André: what the Paris exhibition is like.

An exhibition on Georges de la Tour is already an event even before it opens. And the one that has been running since mid-September at the Musée Jacquemart-André in Paris(Georges de la Tour. Entre ombre et lumière) was announced ...
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Nomellini and the restless city: how Genoa ignited Italian symbolism. What the exhibition looks like

Nomellini and the restless city: how Genoa ignited Italian symbolism. What the exhibition looks like

The history of Italian pointillism passes through Genoa. Pass through Genoa the social unrest that would later spill over into the arts. Passing through Genoa were the first Symbolist hotbeds that animated Italian painting in the latter part of the 1...
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Boccaccio Boccaccino's luminous renaissance: what the Cremona exhibition looks like

Boccaccio Boccaccino's luminous renaissance: what the Cremona exhibition looks like

On September 27, 2023, a painting depicting two saints, a bishop and a portrait of the patron made its appearance at theMillon auction held in Cremona: it was the only surviving fragment of Boccaccio Boccaccino's so-called Fodri Altarpiece. Also know...
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Cartier and Sandretto, Paris and Turin: two ways of telling the present of art

Cartier and Sandretto, Paris and Turin: two ways of telling the present of art

Caps jumping, splashing, flying in all directions above and below the Alps. They celebrated, the lords of contemporary art. They've kept the finest bottles chilled and popped them at that time of year when the hordes of pilgrims, devotees, enthusiast...
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Treasures of the Pharaohs from Cairo to Rome. Here's what the exhibition at the Scuderie del Quirinale looks like

Treasures of the Pharaohs from Cairo to Rome. Here's what the exhibition at the Scuderie del Quirinale looks like

The urge to know our origins and to cherish the memory of the past has accompanied man since his earliest days. From the earliest burials enriched by objects belonging to ancestors to the recovery of vestiges and monuments, every civilization has sou...
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Jacques-Louis David political: in Paris the revolutionary painter. What the Louvre exhibition looks like

Jacques-Louis David political: in Paris the revolutionary painter. What the Louvre exhibition looks like

It is surprising that there is little or no talk in Italy about the muscular exhibition that the Louvre has organized to reconstruct the story of Jacques-Louis David exactly two hundred years after his death. In terms of completeness and volume of ma...
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Man Ray at the Royal Palace: when error becomes language. What the exhibition looks like

Man Ray at the Royal Palace: when error becomes language. What the exhibition looks like

Photography, since its origins, has invited experimentation. Overlaps, overexposures, technical accidents that turn into new expressive codes, unforeseen derivations of the main language. Man Ray was an absolute master of these discoveries, starting ...
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Letizia Battaglia's consecration at last. What the exhibition in Forli looks like.

Letizia Battaglia's consecration at last. What the exhibition in Forli looks like.

Certain documentary-style shots, besides standing out in isolation in the teeming iconographic firmament of recent reportage history for the eloquence of a phenomenon effectively risen to noumenon, are candidates to become staples of photography tout...
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Fantastic but polite: Italian art in the mirror (of curators). What the 18th Quadrennial is like.

Fantastic but polite: Italian art in the mirror (of curators). What the 18th Quadrennial is like.

Wanting to choose one work that can offer an effective synthesis of the 18th Rome Quadrennial, Fantastica, which opened a few days ago at the Palazzo delle Esposizioni, I would not have many doubts and would immediately point to a painting by Siro Cu...
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Marc Chagall at Palazzo dei Diamanti: Ferrara enters the most beautiful dream

Marc Chagall at Palazzo dei Diamanti: Ferrara enters the most beautiful dream

With the Marc Chagall exhibition, the spirit of Ferrara, secularly tending to metamorphoses, to the placid or adventurous sur-natural, enters its specific world, delightful and imbued with culture, which cannot fail to gracefully recall our modernity...
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The revenge of Simone Cantarini, the restless man who challenged Guido Reni. What the Urbino exhibition looks like

The revenge of Simone Cantarini, the restless man who challenged Guido Reni. What the Urbino exhibition looks like

Exactly seventy-five years have passed since Francesco Arcangeli wished the arrival of a "good day" for Simone Cantarini as well, "a name unknown to most, the name of a short-lived schoolboy of the far more famous Guido Reni." And it is still difficu...
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All the Contradictions of Beato Angelico. What the exhibition at Palazzo Strozzi and San Marco looks like.

All the Contradictions of Beato Angelico. What the exhibition at Palazzo Strozzi and San Marco looks like.

It is safe to assume that John Ruskin had not grasped the paradox inherent in the compliment he had intended for Blessed Angelico when he wrote that Fra' Giovanni da Fiesole formed a class of his own, meaning that "he was not an artist proper, but an...
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Amores Perros 25 years later: Iñárritu at Fondazione Prada breathes new life into the film. What the exhibition looks like

Amores Perros 25 years later: Iñárritu at Fondazione Prada breathes new life into the film. What the exhibition looks like

Some films become cult films because they come out at the right time, first intercepting certain epochal and existential ferments still latent with an original style destined to set the standard. One of these is Amores Perros (153 minutes), the debut...
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