Brussels is said to be a capital city to which its own state goes, wanting to emphasize the city's imposing scale in size and population in the context of a relatively small country. The same cliché might also marry for its Royal Museum of Fin...
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To visit Keil Space in Florence, the space conceived by British artist Samantha Keil, is to glimpse the future, to experience and savor what we would like the future to be. The space, founded by Samantha Keil, a master of bronze from a long line of c...
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The Fondaco dei Tedeschi, a building of thirteenth-century origins overlooking the Grand Canal, next to the Rialto Bridge, stands at one of the nerve centers of central Venice, and is not only an architectural masterpiece and a symbol of the Sereniss...
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The saint is above a cloud, borne in flight by a swarm of angels, moving over a sky that illusionistically breaks through the vault of the church of St. Ignatius of Loyola, in the heart of Rome: in front of him Jesus with the cross, in the corners th...
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Since time immemorial, in human history, hands have made themselves eternal protagonists, ancient and irreplaceable tools that shape, transform, create and destroy by the mere force of gesture. In the photographic workshop of Ugo Mulas, these very sk...
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A half-meter hole in the woodwork, plaster surfacing under the wood, the jambs blackened by the marks of the flames that rise and engulf, engulf, devastate. Restorers wanted to leave clearly visible, in the room that precedes Victor Emmanuel II's dre...
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The year was 1921 when Gabrielle Bonheur Chanel, already known for some years as the great Coco, was preparing to present her new product to a select few in her apartment-studio at 31 Rue Cambon in Paris. A product that was completely different from ...
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Theestablished artist and the rampant young millionaire. A figure who was already marking the history of art and one who would mark the history of finance and politics. A brief encounter, probably of little significance to either, but one that certai...
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Roberto Longhi-in an essay written between 1925 and 1926, but published posthumously-was able to summarize with a proposition of unusual clarity the critical history of Lazzaro Bastiani, documented as a depentor from 1456 to 1512, when in the list of...
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Dosso Dossi had a boundless imagination: his whimsical, versatile, ingenious, imaginative flair is among the most celebrated in the history of art, and few in his era could come close to his visionary imagination. A myth, a literary text, a biblical ...
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When we talk about Halloween, it is impossible not to analyze art that cites themes ofhorror and the macabre. Especially during the Gothic period of the nineteenth century, a fright narrative developed that influenced literature, with authors such as...
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Witchcraft and the sabbath have influenced art throughout the centuries, arousing in humans the classic images of mystery, fear and transgression. Flemish paintings and Renaissance engravings portray witches as characters of folk beliefs, but also as...
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Paolo Grassino, one of the most interesting contemporary Italian sculptors, proposes high-impact research that makes use of the most varied materials, from concrete to polystyrene, from wood to rubber, investigating themes such as the precariousness ...
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The visitor who, being in Florence, wants to get as complete an idea as possible of the collecting interests of the Tuscan court in the 290 years of the Grand Duchy's life, cannot limit himself to admiring the bombastic pictorial masterpieces of the ...
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Helen Frankenthaler (New York, 1928 - Darien, 2011) was one of the leading exponents ofAbstract Expressionism, a movement that dominated the American art scene from the 1940s to the 1960s, and which saw the emergence of such notable figures as Jackso...
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In the world ofcontemporary art, where the boundaries between real and virtual are becoming increasingly blurred, The Lilac Room, the new project by artist ERK14, curated by Raffaella A. Caruso and presented in collaboration with Eidos Gallery on the...
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